Cameron Barnett is a multi-faceted artist with interests in choreography, direction, dramatic writing, lighting design, sound design, and performance. His theater and dance works often take the form of nonlinear narratives that use movement as metaphor. Unexpected combinations of themes are made refreshingly accessible through patterns of repetition, mismatched genres, and character-driven action. Some of his favorite projects include The Girl and the Toymaker, a play with dance; House House House, an immersive performance; and The Most Important Meal of the Day, a short evening of dance and cereal. His work in lighting, sound, and stage management has been seen at La MaMa, Triskelion Arts, CPR, Battery Dance, and Kestrels; as well as in his own projects. Cameron is originally from Indiana and now lives in Brooklyn.